Cover of Inventing the Renaissance by Ada Palmer

The study of history is a peculiar paradox. One would think that the past is known; after all, we were there. This is technically true, but reality is not so straightforward. Even if humanity recorded every event and every thought, there would inevitably be gaps. The simple distance that grows with every passing day means that records are lost, context is forgotten, cultural norms drift, and interpreting what records do survive becomes more treacherous. Our efforts to interpret the past inevitably become part of the past which inexorably drifts into the mist. In “Inventing the Renaissance”, Ada Palmer presents a history of the Renaissance while unpacking some of the baggage around the Renaissance and histories thereof.

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Cover of Everything is Tuberculosis


John Green has gone down a rabbit-hole in his distinctive self-aware, obsessive-compulsive sort of way. This slender volume contains histories of Tuberculosis at different scales, from the grand sweeps of civilization to the individual, and the view is alternately bleak and inspiring (bleakspiring?). While technically a writer, Green could be described as a musician of the heart. This is a story of a disease, medicine, culture, but mostly a story of humanity, our mistakes, our struggles, our drive to do better. This is an important story, told skillfully and succinctly. I think the more people who know it, the better off we will all be.

Escape from Manus Prison by Jaivet Ealom cover

I am not qualified to author immigration policy. However, I am not convinced that those who are writing immigration policy are any better at it than I would be. I know the view is different from the top, and balancing the inordinate number of competing interests is nigh-impossible (heavy head, crown, etc). However, in many cases there seems to be a complete absence of basic human kindness. And again, I know that national policy is sometimes a numbers game; adjusting conditions so that there is less overall suffering even if some people still do suffer. I can hear the argument forming already, “to speak of kindness at such a scale is naive”. To which I say, read this book. There is no world in which this sort of suffering is necessary. And to enable, to facilitate, to engineer such suffering is immoral.

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Cover of This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

This is a fairly basic time-travel story told through correspondence. There is nothing especially novel about it and nothing in particular to recommend it. It is fairly abstract. The grand sweeps of a cosmic struggle are portrayed through vague poetic gestures. The interesting things happen at a great distance, and what happens in the foreground feels shallow and repetitious. It is not poetic enough to stand on language alone, and there is not much plot to speak of, so it just orbits itself for a while, like a montage, building to its inevitable conclusion.

Cover of Beaverland by Leila Philip

Leila Philip gives us a brief history of beavers in the United States. For those of you who have not yet heard, beavers were a kind of a big deal before the white man nearly wiped them out to make a buck. They are still a big deal, environmentally speaking, but these days they occupy more of a subculture in the popular consciousness. In any case, Philip provides a personal tour of some beaver-relevant sights and figures: modern trapping, Johann Jacob Astor, Dorothy Richards, Grey Owl, indigenous stories and traditions, a little genocide (no tour of US history is complete without it), and some effluvial geomorphology.

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Cover for the Book of Form and Emptiness

Oh, Annabelle… I have rarely been so worried to pick up a book because I fear what I may be forced to witness. But this is no grand calamity. This is a human story of human tragedies on an unavoidably relatable human scale. There is so much sadness packed between these pages, so many people trying to reach other. You observe these characters from within their own heads; they are immediately comprehensible and sympathetic, and you just want to stop them from hurting themselves. You just want to reach out and help them. They’re so close. But how can you reach them when they can’t reach each other? It’s kind of amazing.

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Cover of "Notes from a Small Island"

Bill Bryson partakes of that particular style of travel wherein one checks into a hotel and then just goes for a walk with minimal, if any, guidance. Passing judgement on any place that rates as a city or even a large town based solely on what you encounter within walking distance of wherever your lodgings happen to be strikes me as miraculous. It also sounds, to me, like an entirely unpleasant way to see a place, but Bryson is a seasoned traveler, and I will defer to his experience. The tour that is the subject of this book is a rather unusual one, so perhaps I am being unfair in my judgement.

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Nudge

This is a welcome revision to a hugely influential book. If by some chance you’ve escaped its influence, this is one of the works that brought many (and the concept of) standard biases to the popular consciousness, and more importantly, explained some practical applications of that knowledge. These applications have become the defaults (see what I did there?) for many companies and governments.

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